Legendary filmmaker Sooraj Barjatya is stepping right into a contemporary cinematic chapter along with his subsequent challenge , a Mumbai-set household drama starring Ayushmann Khurrana and Sharvari. Barjatya is inserting Ayushmann within the highlight, with stories hinting he’ll tackle the beloved position of ‘Prem,’ immortalised by Salman Khan in classics like ‘Maine Pyaar Kiya’ and ‘Hum Aapke Hain Koun’. Chatting with PTI concerning the casting selection, the director known as Ayushmann “a devoted and high quality actor,” praising his capability to carry authenticity to each position.
The Coronary heart of Mumbai, the soul of a household movie
Not like Barjatya’s previous movies set in opposition to grand marriage ceremony backdrops and sprawling household properties, this story is grounded firmly within the on a regular basis bustle of Mumbai. Taking pictures will happen within the metropolis itself, a selection the filmmaker says is about “making it look actual” and guaranteeing audiences really feel the world he creates is real. “I need folks to observe and say, ‘Sure, this might be my residence, my household.’ That’s the most important problem,” Barjatya defined. True to his signature model, the movie will function a big ensemble solid, capturing the heat, chaos, and bonds that outline household life.
Nervousness earlier than the magic
Regardless of a filmography crammed with blockbusters, the 61-year-old director admits he nonetheless will get nervous earlier than each shoot. “It’s the identical feeling I had earlier than ‘Maine Pyaar Kiya’. For me, it’s by no means about field workplace numbers, it’s about connection,” he stated. Whereas additional particulars about Sharvari’s position are beneath wraps, her pairing with Ayushmann guarantees contemporary on-screen chemistry. Then again, Sooraj Barjatya’s final directorial enterprise was ‘Uunchal’ which was launched within the 12 months 2022. The film starring Amitabh Bachchan, Anupam Kher, Boman Irani, and Parineeti Chopra within the lead, acquired good critiques.