Sophie Brooks’ Consideration-Grabbing Premise Beats The Discourse, Even With Shaky Execution


This age of recent courting, and its myriad uncomfortable conditions and odd phrases, has already spawned numerous motion pictures geared toward capturing the difficulties of discovering love at this time. Whether or not it is masking the strangeness of social media or the idea of informal hook-ups, virtually each stone has been turned, thus necessitating some massive swings.

From that concept comes Sophie Brooks’ Oh, Hello!, the story of a seemingly picture-perfect romance gone improper in an absurd, dramatic vogue. The film first premiered on the Sundance Movie Competition earlier this 12 months and is now getting a restricted launch from Sony Photos Classics. I think, based mostly on its premise alone, that Oh, Hello! will discover an viewers, although its reception may show divisive.

Oh, Hello! Has A Wildly Fascinating Premise

It Simply Would not Fairly Know How To Make The Most Of It

Except for a quick prologue that alerts us to one thing going awry very, very quickly, Oh, Hello! opens with lovebirds Iris (The Bear‘s Molly Gordon) and Isaac (Logan Lerman) embarking on their first weekend away as a pair. Their journey checks all of the packing containers of romantic bliss: singing within the automotive to a candy duet, having intercourse on the sofa upon arrival, and a candlelit dinner.

Iris is smitten, although there are the barest indicators of discord between the 2. Nonetheless, it looks as if they’re on the identical web page, till proper after some frivolously kinky intercourse that entails Isaac being handcuffed to the mattress. When Iris calls them a pair, Isaac instantly balks and says that not solely did he suppose they had been informal, he is been sleeping with different individuals.

For sure, Iris is crushed and betrayed, and in her heartbreak, she leaves Isaac chained to the mattress. This, in a approach, feels justified just because it is clear she wants a second to course of, and we’re together with her in having the rug pulled out from underneath us. In spite of everything, she has some extent! Isaac was performing very very similar to a boyfriend!

However then, after spending an evening scouring the web for suggestions, Iris makes her first actually questionable determination: she opts to maintain Isaac chained for one more 12 hours whereas she forces him to get to know her, within the hopes that he’ll start to really feel in another way about their relationship.

Gordon and Lerman are each in nice kind, going a good distance in carrying the considerably problematic premise.

Admittedly, that is the place it’s kind of trickier making an attempt to remain sympathetic, although I would argue Brooks is not asking us to. As each the director and author (constructing off a narrative created by her and Gordon), Brooks would not sugarcoat the disconcerting actuality Isaac now finds himself in, even because it’s all given a darkly comedic sheen.

Issues escalate additional afterward when Iris calls in her greatest buddy Max (Geraldine Viswanathan), and Max unintentionally drags in her clueless boyfriend, Kenny (John Reynolds). It is round this level when Oh, Hello! loses some steam.

Bringing in two new characters provides an additional layer of complexity, however shortly after, the film stalls. One nearly will get the impression that Brooks would not fairly know the place to take the story subsequent. It is as if, except for the daring central hook of Isaac being chained to the mattress, there is not rather more at play right here.

Molly Gordon & Logan Lerman’s Chemistry Elevates Oh, Hello!

Even When They’re On Opposing Sides

Gordon and Lerman are each in nice kind, going a good distance in carrying the considerably problematic premise. As she’s confirmed in initiatives like Theater Camp, Gordon has wonderful comedic timing and a knack for delivering heightened dialogue in a pure approach. Iris may so simply change into a “loopy girlfriend” stereotype, and whereas she would not fairly keep away from that destiny, Gordon retains her grounded.

As for Isaac, we’re arguably set as much as dislike him due to his f-boy mindset, however Lerman offers us simply sufficient of a peek at his personal weak inside that we’re by some means endeared to him. He performs Isaac’s rising panic impressively properly, contemplating he spends a lot of the film connected to the mattress.

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Viswanathan and Reynolds add some further levity to the film, however Oh, Hello! belongs to the 2 leads. For all its muddled bits, Brooks manages to tie the ludicrous story into one thing surprisingly heartfelt by the tip. Even with its points — which I discovered fascinating however can be considered as problematic — all of it involves a slightly neat shut.

As that is solely Brooks’ second characteristic, she’s cemented herself as an fascinating artist, albeit one with room to develop. I sit up for seeing what she comes up with subsequent, and I hope it brings a bit extra focus to a different fascinating thought.

Oh, Hello! releases in choose theaters on Friday, July 25.


Oh, Hi! - Poster

Oh, Hello!

7/10

Launch Date

January 26, 2025

Runtime

94 Minutes

Director

Sophie Brooks

Producers

Elan Gale, Dan Clifton, David Brooks, Molly C. Quinn, Molly Gordon, Sophie Brooks, Justin Brown, Evan Moore, Julie Waters




Professionals & Cons

  • Molly Gordon and Logan Lerman are sensible leads with compelling chemistry.
  • Author-director Sophie Brooks crafts a compellingly absurd premise that we wish to see play out.
  • The ending is surprisingly heartfelt.
  • The story stalls within the center.
  • Gordon’s Iris would not fairly keep away from the “loopy girlfriend” trope.

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