In just about any configuration, Kill Invoice’s place within the cinematic firmament — and in popular culture at giant — has lengthy been licensed. Uma Thurman’s Bride, Lucy Liu’s O-Ren…
It is at all times fascinating to see how a studio responds when a poorly reviewed film makes a killing. The primary 5 Nights at Freddy’s is an inert bore…
Welcome again to the massive studio comedy. Jim O’Hanlon’s Fackham Corridor, a wildly humorous, laugh-a-second satire within the vein of this yr’s The Bare Gun, is a refreshing return to…
Early on in Oh. What. Enjoyable., Michelle Pfeiffer’s Claire Clauster factors out that almost all Christmas films are about males, significantly fathers, whereas girls/mothers are relegated to restricted display screen…
In Julia Jackman’s 100 Nights of Hero, storytelling is a revolutionary, feminist act. Based mostly on Isabel Greenberg’s graphic novel (in flip based mostly on the Center Japanese fable One…
Little Bother Women is a movie about our bodies: how we uncover them, how we management them, how we take care of those that tempt them. In Urška Djukić’s startling…
The New Yorker at 100 operates beneath a most likely secure assumption: that its impression on the viewer’s life is pretty substantial. A documentary on one of many world’s most…
In Comfortable Holidays, Scandar Copti’s multi-generational patchwork portrait of a household in Haifa, love is difficult by conservative cultural traditions, arcane medical legal guidelines, and the irony of being a…
As extremely acclaimed because it was unrelenting, Uncut Gems felt just like the apotheosis — or no less than the best attainable focus — of creativity wielded by sibling administrators…
Dutch B-movie provocateur Roel Reiné, in all probability finest identified for the horribly botched MCU flop Inhumans, returns to a topic he tackled fifteen years in the past: a murderous,…