Abstract
- Good One is a slow-burn film that completely explores the connection between a father and his daughter.
- The movie highlights the ability dynamics and discomfort that come up between male adults and a teenage lady.
- Lily Collias delivers a nuanced efficiency as Sam, the introspective protagonist, making it straightforward to grasp her feelings and ideas.
Written and directed by India Donaldson, Good One is a slow-burn film that employs particulars to construct stress because it completely explores the connection between a father and his daughter, in addition to the ability dynamic that settles in between male adults and a teenage lady. The movie is compelling and quietly thought-provoking because it peels again the layers of the relationships on the forefront, whereas additionally showcasing the discomfort that follows however isn’t at all times picked up on.
Good One is a drama movie written and directed by India Donaldson and launched in 2024. Teenaged Sam is compelled to endure a battle of delight and egos when her father and his greatest good friend start to conflict throughout a weekend tenting journey.
- Good One deftly explores its primary character
- The movie subtly ruminates on the gender & energy dynamics
- The movie is a gradual burn
- The pacing may have been higher
The Movie Is A Deeply Introspective Coming-Of-Age Story
Sam (Lily Collias) joins her father, Chris (James Le Gros), and his greatest good friend Matt (Danny McCarthy) on a mountain climbing journey within the Catskills. Sam looks as if a passive character at first, however she’s extra introspective than something, particularly as she’s compelled to take heed to Chris and Matt complain about every little thing. By means of their conversations, we rapidly understand how a lot they consider themselves and don’t take note of Sam in any respect — or, at the least, not in the way in which they really ought to.
Sam chimes in with occasional recommendation or to inform them to see issues from a unique perspective, as theirs normally entails their victimization whereas they absolve themselves of wrongdoing. Matt is particularly pissed off together with his son, who was meant to go on the journey with him, and his divorce, however we see the occasional chinks in his armor when he lets his emotional guard down. And but, Good One additionally showcases how one can benefit from one other due to gender and age, which dictate the dynamics at play.
Good One’s ending underscores Donaldson’s contemplative story, one which isn’t a lot involved with a conclusive finale a lot because it needs us to ponder what it’s we’ve simply seen.
The movie strikes at a sluggish tempo generally, and there may have been extra packed into the movie contemplating there are scenes that really feel void. There may’ve been extra time spent on Sam’s house life earlier than the trio heads on their journey, if solely to higher set up every little thing. However on the journey, Donaldson well lingers on Sam’s each transfer and facial reactions.
We watch her as she tunes out her dad and Matt’s ruminations, which additionally clarify a lot of their relationship (Matt is in an analogous scenario Chris was in a number of years prior). She’s together with her father, however she’s additionally alone; nobody really engages together with her in dialog that is not considerably laced with condescension, and it’s solely when she affords some knowledge about Matt’s scenario that she isn’t shrugged off, normally by her dad.
In some ways, Sam isn’t actually seen and her wants and emotions are normally ignored. For example, neither Chris nor Matt discover Sam’s discomfort when a gaggle of younger males be part of their camp for dinner. That interprets to their conversations as properly. And when Sam expressed she felt bizarre about one thing Matt stated to her, her dad was dismissive, eager to have a very good day free from having to confront his good friend. It’s in these moments that Good One shines the brightest, and Donaldson offers biting commentary about energy and gender dynamics even inside one’s circle of relatives.
The movie strikes at a sluggish tempo generally, and there may have been extra packed into the movie contemplating there are scenes that really feel void.
Good One Boasts A Nuanced Efficiency From Lily Collias
Sam rebels in her personal manner, however she is taken into account the “good one” exactly as a result of she doesn’t act out. When she lastly does, in top-of-the-line scenes within the movie, it’s a triumphant second. One of the vital fascinating points of the movie is that its battle doesn’t come till nearer to the top, which leaves us questioning what may occur subsequent for Sam and the way her relationship together with her father may fare within the aftermath of occasions.
Good One’s ending underscores Donaldson’s contemplative story, one which isn’t a lot involved with a conclusive finale a lot because it needs us to ponder what it’s we’ve simply seen. This makes for a considerate watch, one that’s elevated by Collias’ layered efficiency. With out saying a phrase, she makes it straightforward to grasp what Sam is feeling (and generally even pondering) at each second; she’s observant and good, usually to the discomfort of her dad and his good friend. It’s a multidimensional dynamic that unfolds quietly however powerfully as long as we stay rooted to what unfolds.
Good One premiered on the 2024 Sundance Movie Pageant.
Good One
- Launch Date
- January 21, 2024
- Director
- India Donaldson
- Solid
- Lily Collias , Sumaya Bouhbal , James Le Gros , Danny McCarthy
- Writers
- India Donaldson
- Studio(s)
- Worldwide Pigeon Manufacturing , Smudge Movies , Tinygiant