Lilly Singh’s first main movie function and credit score as a screenwriter, Doin’ It, begins with an explosive ejaculation. Maya (performed by Celine Joseph in flashback) is a 14-year-old child who is of course interested in her physique and that of her boyfriend, Sohan (Yatharth Bhatt), however the younger lovers select an inopportune time to discover: proper backstage of their highschool expertise present.
Sohan has requested Maya to indicate him her breasts, and Maya consents, in change to see Sohan’s penis. It is a completely frequent change that, on this case, results in Sohan’s speedy ejaculation on Maya’s face simply because the curtain rises in entrance of Maya’s mom and grandmother within the viewers (Sonia Dhillon Tully and Usha Uppal, respectively). The 2 ladies’s disciplinary response is the superbly comprehensible and not-at-all reactive determination to maneuver the entire household again to India, the place Maya can be taught some modesty and unlearn America’s sexual liberalism.
Sixteen years later, the now 30-year-old Maya (Singh) has obtained two levels, a dream of being an app developer, and a phobia of intercourse brought on by three a long time of sexual repression by the hands of her matriarchs. Armed along with her profession ambitions, Maya strikes again Stateside, however finds that promoting her app is as exhausting as getting comfy with intercourse; she’s nonetheless a virgin and nonetheless traumatized by the look on her Nani’s face each time a person comes close to.
Nonetheless, Maya finds herself within the inexplicable place of educating sex-ed at a highschool whose Principal Fletcher (SNL alum Ana Gasteyer) is determined sufficient to satisfy its range, fairness, and inclusion quota on the similar time the college satisfies the state’s requirement of abstinence-based sexual schooling.
Doin’ It Shines In Its Frank Remedy Of Feminine Pleasure & Comedian Solid
Doin’ It is a particularly likable movie. Whereas its setup calls for some willful suspension of disbelief (it appears exhausting to think about a faculty that will each honor DEI requirements and Christian Fundamentalism, for instance), it does finally settle into a comfy comedy that’s someplace between Faculty of Rock and The 40-12 months-Previous Virgin. Directed by Sara Zandieh from a screenplay by Singh, Zandieh, and Neel Patel, the film’s narrative beats are acquainted and heat.
That can be the place the movie falters; it appears so beholden to hitting its style tropes that it forgets to interrupt free from the confines of its personal define. It’s, in different phrases, very written in its story execution and but underwritten in its character improvement. As charming as Lilly Singh is, Maya just isn’t precisely readable as somebody who has spent greater than half her life overseas, in a rustic that’s markedly completely different from the considered one of her childhood.
Nonetheless, the movie succeeds on the entire, skating by on the rapport between Maya and her pals and colleagues. Whereas Ana Gasteyer would not get almost sufficient to do, Sabrina Jalees is pleasant and charismatic as Jess, Maya’s childhood greatest buddy, who’s intent on taking Maya via a “bucket listing” of misplaced highschool desires. Mary Holland shines because the perfidious, depraved Miss Linda, Maya’s Karen of a co-worker, whose self-aggrandizement is perpetually hilarious. And Stephanie Beatriz steals the movie as Barb, the college’s cafeteria chef who’s lengthy on lust however quick on schooling.
The movie’s total forged is so enjoyable to be round, and the jokes and one-liners too sharp…
Singh herself proves prepared for the highlight, and it’s straightforward to journey alongside her as she offers along with her overbearing mom (whom Tully in some way makes sympathetic and wonderful), or learns to flirt with the one different Asian college member, Alex (Trevor Salter), whose facility with the Filipino cooking of his ancestry is as horny to Singh as his (implied) massive genitalia. However she additionally seems fairly inexperienced as an actor, continuously resorting to including “okay?” or different small ad-libs to her dialogue in a approach that reveals her newness to efficiency and a self-consciousness about perceived naturalism.
In the meantime, the script has the distinct texture of tv. Zandieh’s facility with comedy however, the movie is overly lit and televisual, which makes the film learn extra like an prolonged pilot than a real narrative function. However the movie’s total forged is so enjoyable to be round, and the jokes and one-liners too sharp, that its weaker elements are sometimes greater than compensated for by brightness and levity.
That the movie is so admirably sex-positive, particularly as it’s from the too-often silenced perspective of feminine pleasure, makes it all of the extra refreshing. As Maya inadvertently finds that she has not simply the ability however the ardour for sexual schooling, Doin’ It really paints a probably rosy approach ahead for a subject too typically thought-about taboo on this, or any nation, and the normalizing of delight is a lesson all of us can be taught — no matter gender identification or expression.
Doin’ It
7/10
- Launch Date
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September 19, 2025
- Runtime
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92 minutes
- Director
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Sara Zandieh
- Writers
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Neel Patel, Lilly SIngh, Sara Zandieh
