It’s totally obscure how the identical author behind Se7en can be behind Gavin Polone’s abysmal directorial debut, Psycho Killer. True, Andrew Kevin Walker has collaborated with the likes of David Fincher and Tim Burton, however most of what plagues Psycho Killer — and there’s quite a bit that plagues Psycho Killer — is on the web page. It is uncommon {that a} movie is that this devoid of characterization, rarer nonetheless {that a} serial killer horror is that this missing in rigidity.
Polone is the erstwhile producer behind Zombieland, Drop Lifeless Attractive, Panic Room and extra, however his expertise for placing a stable movie collectively doesn’t, evidently, prolong to the director’s chair. From prime to backside, Psycho Killer is goofy and completely unserious, chockablock with poorly executed tropes, embarrassingly unhealthy computerized CGI blood splatter and pupil film-like awkwardness in efficiency. It is virtually stunning this can be a main studio movie.
Nothing Works in Psycho Killer, However At Least It is Mercifully Brief
A part of the pleasure of a cat-and-mouse thriller of this ilk is within the pure projection of the viewers member onto the pursuer in query. Few individuals would know this higher than Walker, and but Psycho Killer is in such a rush to get to its haphazard finale that the one foray into real detective work is the fixing of a facile cipher buried in a categorised advert. Stranger nonetheless is that Agent Jane Archer (Georgina Campbell) is a Kansas freeway patrol officer who persistently finds the titular killer (a lumbering Jason Preston Rogers) with out a lot as breaking a sweat, all of the whereas the FBI antagonizes the poor lady merely for making an attempt.
Archer is on the path of the “Satanic Killer,” because the papers have labeled him, as a result of he murdered her husband proper in entrance of her on a stretch of a abandoned, frozen street. Supposedly, Archer is stricken with grief, however nothing in Campbell’s efficiency nor within the first-draft writing of her character suggests so. However, propelled by an unquenchable want for vengeance and the comfort of compelled depart, Archer goes on the hunt.
In ins and outs within the background, we be taught that the Satanic Killer has killed some thirty odd bystanders throughout state strains, largely across the midwest. His on-the-nose nickname comes from his penchant for leaving all method of satanic indicators and symbols by his victims, normally drawn of their blood and guts, or else writing the phrase, “open the gates.” It is unclear why the FBI is so stumped on the case, as there’s an abundance of surveillance footage of him, but all Archer has to do, apparently, is google a pair issues to be pointed in the proper course.
Lazy writing however, Psycho Killer can be terribly acted, with out a single plausible efficiency. Malcolm McDowell, given third billing, has all of 5 minutes on display screen, although he does profit from his position as a cult chief with a style for Chinese language takeout and group intercourse. In any other case, Psycho Killer is full of stilted and cartoonish performances, and, for all of its genuflecting in the direction of satanic panic and its personal seediness, it’s an especially dry and regular affair.
In actual fact, the movie’s major subject could also be its dedication to linearity. It is too straightforward for a freeway patrol officer to someway outwit whole bureaus of investigation which might be far past her coaching stage. It might be temping to label that as some type of lackadaisical criticism of the police state, however the reality is that the movie is something however dismissive of the Blue. Regardless of invoking matters as disparate as drug habit, satanism and nuclear fallout, nothing is handled in earnestness.
It’s, to place it merely, a swiss cheese movie with none of the thrills one thing like this might usually provide. Polone expends a lot power stopping us from seeing the Psycho Killer’s face that it turns into decidedly comical. What number of shadows in a room can a man discover? Extra importantly, why is he carrying his nuclear masks in non-public, and why does he sound like an inexpensive imitation of Bane from The Darkish Knight Rises? Why did Walker write up a killer with a prescription drug habit solely to by no means pay it off? Did Polone suppose it was particularly refined to have a trans character casually within the margins of a devil-worshipping, polyamorous cult?
Regardless of the reply to those and some other query, the movie ought to at the very least have some straightforward scares, however this a lot time spent with the killer crucially weakens him. The repeated publicity to his foolish villain voice and his rubber masks inevitably makes him much less and fewer threatening till he’s nothing however a costumed vigilante who likes listening to vaguely demonic sermons in his automotive. About the one apparent trope the movie avoids is utilizing the Speaking Heads track of the identical title, however at this level, why not use it? Not less than it could’ve given the movie its single burst of professional power.
Psycho Killer opens in theaters on February twentieth, 2026.
- Launch Date
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February 20, 2026
- Runtime
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92 Minutes
- Director
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Gavin Polone
- Writers
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Andrew Kevin Walker
- Producers
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Andrew Kevin Walker, Matt Berenson, Roy Lee, Arnon Milchan
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Georgina Campbell
Jane Thorne
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James Preston Rogers
Psycho Killer
