Together with a cushty viewing expertise, what OTT has additionally given rise to is the play/pause tradition, the place a viewer can transfer on from a venture in the event that they don’t get pleasure from it, not like a theatrical launch, the place they may wait, having paid for the ticket. Does actor Rasika Dugal, who has starred in net tasks corresponding to Mirzapur, Delhi Crime and Adhoora, discover OTT a more durable medium to crack? “That may be a strain folks from advertising or content material heads from the platforms face. As a artistic particular person, I don’t really feel that strain,” says the 38-year-old.
She provides, “I consider if a narrative is compelling and you’ve got advised it nicely, the viewers will recognize it. I don’t really feel that pehle episode mein kuchh dhamakedaar hona zaruri hai viewers ko rokne ke liye. I’ve the strain to carry out and my job is to be current within the second to do my work as an actor, to the very best of my skill.”
Dugal believes that in case you’re true to your work, no gimmicks are wanted to get the viewers hooked. Speaking about sensationalism, she provides, “A present like Delhi Crime was not sensational in any respect. The Household Man was a well-told story and the viewers caught to it. However I like the concept the viewers has management and might transfer away in the event that they don’t like one thing. That’s honest.”